haegue yang in - an opera for animals
An Opera for Animals takes the history of different versions of opera as a departure point to explore both contemporary and traditional uses of performance, fantasy, and group spectacles in relationship to the environments that they inhabit. Intimately connected to the making of myths, the fabrication of events, orchestration, and invention of new technologies, opera emerged seeking to synthesize different aesthetic forms into a unified experience audiences could immerse themselves within. Like the complex history of the museum or exhibition, it has gradually developed into another collective kind of ritual. At the height of its development in the West, opera increasingly became conjoined to the vision and forceful influence of colonization, and we re-contemplate the medium as a compromised interface that precipitated struggles with indigenous worlds and other knowledge systems.
Kenojuak Ashevak, Shuvinai Ashoona, Firelei Báez, Julie Buffalohead, Clément Cogitore, Chen Qiulin, Ali Cherri, Clara Cheung, Narcisa Chindoy, Lok Chitrakar, Cui Jie, Juan Davila, Heri Dono, Ticio Escobar, Jes Fan, Sofia Ferrer, Fifita Family, Chitra Ganesh, Beatriz González, Guo Fengyi, Vivian Ho, Saodat Ismailova, Ilya Kabakov, Emilia Kabakov, Lee Bul, Lawrence Lek, Candice Lin, Euan Macdonald, David Medalla, Barayuwa Munuŋgurr, Adam Nankervis, Carlo Nasisse, Kelly Nipper, Gabriel Pareyón, Gary Ross Pastrana, Tim Pitsiulak, Gala Porras Kim, Khvay Samnang, Simon Soon, Angela Su, Tao Hui, Wang Wei, Wu Chuan-Lun, Haegue Yang, Yang Shen, Yee I-Lann, Yang Yuanyuan, Trevor Yeung, Samson Young, Zhang-Xu Zhan, Robert Zhao Renhui, Zhao Yao, Constanze Zikos.