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minerva cuevas - dissidencia

galpao VB - sao paulo
august 31 - december 15, 2018
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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

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minerva cuevas, installation view dissidencia, galpao vb, sao paulo, 2018.

 

Videobrasil showcases Minerva Cuevas’s video works

 

Mexican artist works on the edge of art and activism to question contemporary directions
With a body of video work that documents political environments in order to tackle ecological and social contemporary issues, Mexican artist Minerva Cuevas (Mexico City, 1975) is at the center of  a major exhibition that will occupy Galpão VB from September through to December 2018.

 

Gathering six video installations and two slide projections, Dissidência (Dissidence) is the first  solo show by Cuevas to be held in Brazil. Frequently appropriating the language of marketing and advertisement, many of her works engage with pop culture icons to re-frame and confront social relations, and the exploitation of natural resources.

 

“Galpão will be entirely occupied by video installations developed along Cuevas' research based career. Titled after one of Cuevas’s  emblematic works, Dissidência serves to establish opposition and active contestation,” explains Gabriel Bogossian, who is co-curating the exhibition alongside Solange Farkas.

 

The show focuses on the confluence of art and political action, at a time marked by serious changes in legislation regarding the use of agrochemicals, deforestation of the Amazon and the demarcation of indigenous lands in Brazil. 

 

“By exhibiting one of the most inventive and forceful artists in the Latin American political landscape, Videobrasil reasserts its commitment to the geopolitical debate. Cuevas’s work is especially informative about our context, given the similarities between Brazil and Mexico in several of the geopolitical aspects she approaches,” adds Solange.

 

Arranged in the space, works such as A Draught of the Blue (2013) and Donald McRonald (2003) suggest a latent possibility of revolt underlying everyday life.

 

 

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