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installation view of autorreconstrucción: detritus, museo universitario de ciencias y arte - muca, mexico city, 2018

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installation view of autorreconstrucción: detritus, museo universitario de ciencias y arte - muca, mexico city, 2018

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view of the performance of la bruja de texcoco at museo universitario de ciencias y arte - muca, mexico city, 2018

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reconstrucción2: here we stand: b, 2015
wood, iron, leather, plastic, cardboard and glue

330 x 185 x 190 cm

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installation view of ​autorreconstrucción: social tissue, kunsthaus zurich, 2018

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installation view of ​autorreconstrucción: social tissue, kunsthaus zurich, 2018

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installation view of ​autorreconstrucción: social tissue, kunsthaus zurich, 2018

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autodestrucción: avant et après le voyage d ́antonin artaud à la terre rouge, 2018
collage. ink on paper and tape
142 x 240 cm

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installation view of ​the water trilogy 3: autoconclusion: ideologically inconsistent identity: jetties, gutters & urinals, as part of sensory spaces 12, museum boijmans van beuningen, rotterdam, the netherlands, 2017

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installation view of ​the water trilogy 3: autoconclusion: ideologically inconsistent identity: jetties, gutters & urinals, as part of sensory spaces 12, museum boijmans van beuningen, rotterdam, the netherlands, 2017

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installation view of ​the water trilogy 3: autoconclusion: ideologically inconsistent identity: jetties, gutters & urinals, as part of sensory spaces 12, museum boijmans van beuningen, rotterdam, the netherlands, 2017

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namazuxólotl 1 & 2, 2017
paint on inkjet printed textile, sickle, knife, chopper
installation view of the water trilogy 2: autodefensión microtonal obrera campesina estudiantil metabolista descalza, ginza maison hermès le forum, tokio, 2017

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the states of matter (missing one), 2017
projectors, speakers, cardboard, wood, glass
installation view of the water trilogy 2: autodefensión microtonal obrera campesina estudiantil metabolista descalza, ginza maison hermès le forum, tokio, 2017

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tsumami disaster, 2017
mixed media
installation view of the water trilogy 2: autodefensión microtonal obrera campesina estudiantil metabolista descalza, ginza maison hermès le forum, tokio, 2017

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autoconclusion: ideologically inconsistent identity: jetties, gutters & urinals, c, 2017

acrylic paint on inkjet print on canvas and tools

121 x 188 x 20 cm

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installation view of precariat’s meeting, ming contemporary art museum, shanghai, china, 2017

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installation view of precariat’s meeting, ming contemporary art museum, shanghai, china, 2017

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nuestra imagen actual, 1, 2011
acrylic paint on kraft paper
300 x 400 cm

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empty lot, 2015
mixed media
variable dimensions

installation view at the turbine hall of the tate modern london, 2015

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empty lot, 2015

mixed media

variable dimensions

installation view at the turbine hall of the tate modern london, 2015

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empty lot, 2015
mixed media
variable dimensions

installation view at the turbine hall of the tate modern london, 2015

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autoreconstrucción: to insist, to insist, to insist, 2018
view of the performance at the kitchen, new york, 2018

performers: bárbara foulkes y andrés garcía nestitla (not pictured)

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autoreconstrucción: to insist, to insist, to insist, 2018
view of the performance at the kitchen, new york, 2018

performers: bárbara foulkes y andrés garcía nestitla (not pictured)

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autoreconstrucción: to insist, to insist, to insist, 2018
view of the performance at the kitchen, new york, 2018

performers: bárbara foulkes y andrés garcía nestitla (not pictured)

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autorretrato ciego, lúdico, sicalíptico, querendón y semiológico escuchando 'mariguana' de óscar chávez..., 2016

set of 131. acrylic paint on different containers, packaging, disposable cardboard containers and thermoformed plastic molds