back

kurimanzutto en west bund y art021

shanghai
west bund art & design booth a202, noviembre 8-11,2018 | art021 booth c04, noviembre 9-12, 2018.
image

minerva cuevas, iceberg, 2016.

image

adrián villar rojas, the theater of disappearance (10), 2017.

image

gabriel sierra, untitled, 2015.

image

haegue yang, knotty spell in windy weeping forsythia, 2016.

image

gabriel kuri, untitled (99c only), 2015.

image

damián ortega, valle, 2018.

image

leonor antunes, anni #20, 2017.

image

wilfredo prieto, transparencia, oscura, sucia (transparent, dark, dirty), 2015.

image

abraham cruzvillegas, blind self portrait listening to the version of ‘canción mixteca’ (‘qué lejos estoy’) by enrique “chato” rodríguez, while tasting an unexpected spirulina ice cream at a thai restaurant in austin, after finishing a book about a guy selling snow balls in manhattan, thinking on how specific needs generate diverse shapes in space, according to the language spoken in the streets, then how it comes from particular economic circumstances, like being punished, segregated, excluded, gettoed, gentrified or just exploited, depending on the transformation of different ways of refering to the same old shit, 2018.

image

rirkrit tiravanija, untitled 2018 (1.5 kilos of rice) (one)

image

danh vo, born out of a uterus I had nothing to do with, 2013.

image

gabriel orozco, untitled, 2018.

image

minerva cuevas, iceberg, 2016.

image

adrián villar rojas, the theater of disappearance (10), 2017.

image

gabriel sierra, untitled, 2015.

image

haegue yang, knotty spell in windy weeping forsythia, 2016.

image

gabriel kuri, untitled (99c only), 2015.

image

damián ortega, valle, 2018.

image

leonor antunes, anni #20, 2017.

image

wilfredo prieto, transparencia, oscura, sucia (transparent, dark, dirty), 2015.

image

abraham cruzvillegas, blind self portrait listening to the version of ‘canción mixteca’ (‘qué lejos estoy’) by enrique “chato” rodríguez, while tasting an unexpected spirulina ice cream at a thai restaurant in austin, after finishing a book about a guy selling snow balls in manhattan, thinking on how specific needs generate diverse shapes in space, according to the language spoken in the streets, then how it comes from particular economic circumstances, like being punished, segregated, excluded, gettoed, gentrified or just exploited, depending on the transformation of different ways of refering to the same old shit, 2018.

image

rirkrit tiravanija, untitled 2018 (1.5 kilos of rice) (one)

image

danh vo, born out of a uterus I had nothing to do with, 2013.

image

gabriel orozco, untitled, 2018.

west bund
art & design 2018

noviembre 8–11, 2018
booth a202

west bund art center
2555 longteng avenue
xuhui district, shanghai

 

__________________

 

art021 shanghai
contemporary art fair

noviembre 9–12, 2018
booth c04

shanghai exhibition center
1000 yan an middle road
jing'an, shanghai