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eduardo abaroa (1968), fake gold, several kilometers (wall version), 1991-2005.

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haegue yang (197 1), trustworthy #339, 2018.

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carlos amorales (1970), fax mantra (protective seals) 05, 2012.

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daniel guzmán (1964), sin título “cosmos”. de la serie: “el hombre que debería estar muerto pero que resucitó a otra vida”, 2017-2018.

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dr. lakra (1972), untitled, 2016.

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fernando ortega (1971), untitled, 2018.

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damián ortega (1967), modern garden 5, 2018.

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gabriel orozco (1962), untitled, 2018.

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iñaki bonillas (1981), bresson, 2018.

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gabriel sierra (1975), sin título, 2018.

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sofía táboas (1968), untitled, 2019.

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jennifer allora & guillermo calzadilla (ja 1975, gc 1971), electromagnetic field #1 (November 1, 2018, meter number 96215234, provisional rate, 2018.

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wilfredo prieto (1978), luz y bola, 2018.

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abraham cruzvillegas (1968), blind self portrait listening to the version of ‘canción mixteca’ (‘qué lejos estoy’) by enrique “chato” rodríguez, while tasting an unexpected spirulina ice cream at a Thai restaurant in austin, after finishing a book about a guy selling snow balls in manhattan, thinking on how specific needs generate diverse shapes in space, according to the language spoken in the streets, then how it comes from particular economic circumstances, like being punished, segregated, excluded, gettoed, gentrified or just exploited, depending on the transformation of different ways of refering to the same old shit, 2018.

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wilhelm sasnal (1972), china shipping, 2008.