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marieta chirulescu

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image

untitled, 2010

laserchrome print

27.17 x 20.87 inches

untitled, 2010

color print on fuji archive paper

16.73 x 12.8 inches

untitled (shwarz, weib, rot), 2010

inkjet print and oil on canvas

17.72 x 13.78 inches

untitled, 2010

inkjet print on paper

59.84 x 43.31 inches

untitled, 2010

laserchrome print

76.77 x 51.57 inches

untitled, 2011

inkjet print on canvas

18.5 x 12.99 inches

untitled, 2011

inkjet print on canvas

18.5 x 12.99 inches

untitled, 2011

inkjet print on canvas

18.5 x 12.99 inches

untitled, 2011

oil and arcylic on canvas

72.83 x 33.46 inches

untitled, 2011

oil, acrylic and photocopy mounted on canvas

72.83 x 80.71 inches, 4 parts

untitled, 2011

inkjet print on canvas

18.5 x 13.19 inches

untitled, 2011

inkjet print, acrylic and marker pen on canvas

24.8 x 14.96 inches

untitled (b), 2011

inkjet print on canvas

19.69 x 13.78 inches

untitled, 2012

inkjet print on canvas

74.8 x 32.68 inches

untitled, 2012

inkjet print on canvas

74.8 x 34.25 inches

installation view, 2013

kurimanzutto, mexico city

untitled, 2013

gouache, stones and inkjet print on canvas

14.17 x 15.75 inches

untitled, 2013

oil and inkjet print on canvas

11.81 x 16.54 inches

untitled, 2013

inkjet print on canvas

23.62 x 31.89 inches

untitled, 2014

acrylic, gouache and inkjet print on canvas

41.34 x 31.5 inches

untitled, 2014

inkjet print, gesso on canvas

68.9 x 45.28 inches

untitled, 2014

inkjet print on canvas

68.9 x 47.24 inches

image

untitled, 2010

laserchrome print

27.17 x 20.87 inches

image

untitled, 2010

color print on fuji archive paper

16.73 x 12.8 inches

image

untitled (shwarz, weib, rot), 2010

inkjet print and oil on canvas

17.72 x 13.78 inches

image

untitled, 2010

inkjet print on paper

59.84 x 43.31 inches

image

untitled, 2010

laserchrome print

76.77 x 51.57 inches

image

untitled, 2011

inkjet print on canvas

18.5 x 12.99 inches

image

untitled, 2011

inkjet print on canvas

18.5 x 12.99 inches

image

untitled, 2011

inkjet print on canvas

18.5 x 12.99 inches

image

untitled, 2011

oil and arcylic on canvas

72.83 x 33.46 inches

image

untitled, 2011

oil, acrylic and photocopy mounted on canvas

72.83 x 80.71 inches, 4 parts

image

untitled, 2011

inkjet print on canvas

18.5 x 13.19 inches

image

untitled, 2011

inkjet print, acrylic and marker pen on canvas

24.8 x 14.96 inches

image

untitled (b), 2011

inkjet print on canvas

19.69 x 13.78 inches

image

untitled, 2012

inkjet print on canvas

74.8 x 32.68 inches

image

untitled, 2012

inkjet print on canvas

74.8 x 34.25 inches

image

installation view, 2013

kurimanzutto, mexico city

image

untitled, 2013

gouache, stones and inkjet print on canvas

14.17 x 15.75 inches

image

untitled, 2013

oil and inkjet print on canvas

11.81 x 16.54 inches

image

untitled, 2013

inkjet print on canvas

23.62 x 31.89 inches

image

untitled, 2014

acrylic, gouache and inkjet print on canvas

41.34 x 31.5 inches

image

untitled, 2014

inkjet print, gesso on canvas

68.9 x 45.28 inches

image

untitled, 2014

inkjet print on canvas

68.9 x 47.24 inches

marieta chirulescu

* 1974, Sibiu, Romania

 

Marieta Chirulescu’s work is the result of an ongoing preoccupation with the aesthetic and conceptual contingencies of painting. The abstractions for which she is best known reference the formalism of Color Field painting, superimposed with the array of digital printing methods available to the public today. Drawing from an extensive archive of imagery, Chirulescu uses scans, screen shots and the technical irregularities that occur throughout digital processes to alter personal photographs as well as those taken by her father during the Romanian dictatorship. Through a rigorous process of technological reproduction and manipulation, she breaks down and erases images leaving only sediments and traces of the originals. Although Chirulescu eliminates most of the identifiable referents within her compositions, her pieces retain the rectilinear frame that conditions our way of seeing and understanding the world: a grid present in our daily life through windows, mirrors, houses or books, that inevitably ends up on the canvas. The subjects of her work are not the protagonists of the real world, but rather the afterimages and echoes of the “mechanical unconscious” of scanners and photocopy machines. Chirulescu sorts and rearranges scraps of visual information to produce images that disrupt, question and speculate on the character and function intrinsic to painting, while displaying their own production process.

 

Marieta Chirulescu studied at the Hungarian University of Fine Arts and the Akademie der Bildenden Künste in Nuremberg. She has been an artist in residency at the Villa Massimo at the Deutsche Akademie in Rome (2015), the Lenikus Collection (2012), and the Künstlerprogramm en Deutscher Akademischer Austauschdienst (DAAD) Bucarest (2006). In 2008 she was the recipient of the Stiftung Kunstfonds grant in Bonn.

 

Her most important exhibitions include: Marieta Chirulescu, Micky Shubert, Berlin (2017); CYTWOMBLY CYFONTI, Galleria Fonti, Naples, Italy (2016); Pale Fire, kurimanzutto, Mexico City (2016); Marieta Chirulescu, Kunsthalle LingenGermany (2014); Marieta Chirulescu, Kunstverein Nürnberg, Germany (2011); Marieta Chirulescu, Kunsthalle Basel, Switzerland (2010); Marieta Chirulescu, Temporäre Kunsthalle Berlin (2009).

 

Her work has also been included in group exhibitions at institutions such as The Modern Institute, Glasgow (2017); Villa Medici, Rome (2016); Vienna Biennale 2015; Kunsthalle Wien, Vienna (2014); Museum Folkwang, Essen, Germany (2013); Museum Boijmans Van Beuningen, Rotterdam, the Netherlands (2012); CEEAC Centre Européen d’Actions Artistiques Contemporaines, Strasbourg, France; 2009 Kunstverein Nürnberg, Germany (2005), among others.

 

Marieta Chirulescu currently lives and works in Berlin.