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fair | fog design + art

Our selection for FOG Design + Art features key works by artists whose practices engage conceptual, political, and poetic concerns. Working across media such as sculpture, drawing, installation, and found materials, the presentation brings together diverse approaches to abstraction, representation, and socio-political inquiry.

leonor antunes
gabriel orozco
nairy baghramian
anri sala
roman ondak
haegue yang
damián ortega
rirkrit tiravanija
abraham cruzvillegas
petrit halilaj
felipe baeza
roberto gil de montes
minerva cuevas

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+ info: camila@kurimanzutto.com

booth 307
January 21 – 25
Fort mason center, San Francisco

 

Image

leonor antunes discrepancies with M.L #2, 2025, brass, miyuki glass beads, fireline thread,, 270 x 80 x 18 cm (106 1/4 x 31 1/2 x 7 1/8 in)

leonor antunes discrepancies with M.L #2, 2025, brass, miyuki glass beads, fireline thread,

270 x 80 x 18 cm (106 1/4 x 31 1/2 x 7 1/8 in)

gabriel orozco vitruvius moebius, 2023-2024, tempera and gold leaf on linen canvas, 75 x 75 x 3 cm (29.53 x 29.53 x 1.18 in.)

gabriel orozco vitruvius moebius, 2023-2024, tempera and gold leaf on linen canvas

75 x 75 x 3 cm (29.53 x 29.53 x 1.18 in.)

nairy baghramian misfits p, 2022, marble, walnut wood, varnished cast aluminum

nairy baghramian misfits p, 2022, marble, walnut wood, varnished cast aluminum
marble installed: 122 x 102 x 50 cm (48 1⁄32" x 40 5⁄32" x 19 11⁄16")
wooden cylinder: 15 x 15 x 42 cm (5 29⁄32" x 5 29⁄32" x 16 17⁄32")
cast aluminum: 38 x 26 x 26 cm (14 31⁄32" x 10 7⁄32" x 10 7⁄32")
marble: 122 x 102 x 10 cm (48 1⁄32" x 40 5⁄32" x 3 15⁄16")

 
anri sala cristo deriso (fragment 1), 2025, fresco painting, intonaco on aerolam, cipollino verde marble, 31.5 x 23 x 4 cm (12 3/8 x 9 x 1 5/8 in)

anri sala cristo deriso (fragment 1), 2025, fresco painting, intonaco on aerolam, cipollino verde marble

31.5 x 23 x 4 cm (12 3/8 x 9 x 1 5/8 in)

 
roman ondak key vision, 2025, keys, steel ring, 33 cm (13 in)

roman ondak key vision, 2025, keys, steel ring

33 cm (13 in)

 
haegue yang mesmerizing pagoda lantern – luminous monsoon ultramundane flowers, 2024, birch plywood, wood stain, fully threaded stainless steel bolt, stainless steel components, steel wire rope, led bulb, cable, hanji, powder-coated stainless steel and pvd-coated stainless steel bells, split rings, leather cord, 95 x 75 x 75 cm (37 3/8 x 29 1/2 x 29 1/2 in)

haegue yang mesmerizing pagoda lantern – luminous monsoon ultramundane flowers, 2024, birch plywood, wood stain, fully threaded stainless steel bolt, stainless steel components, steel wire rope, led bulb, cable, hanji, powder-coated stainless steel and pvd-coated stainless steel bells, split rings, leather cord

95 x 75 x 75 cm (37 3/8 x 29 1/2 x 29 1/2 in)

 
damián ortega partitura.trama lineal, 2013, chaquira, hand weaved by antolin and magda apellido. rarámuri community from nayarit, 45 x 35 x 2.5 cm (17.71 x 13.77 x 0.98 in.)

damián ortega partitura.trama lineal, 2013, chaquira, hand weaved by antolin and magda apellido. rarámuri community from nayarit

45 x 35 x 2.5 cm (17.71 x 13.77 x 0.98 in.)

 
rirkrit tiravanija untitled 2025, new york times: 07 september 2017, silver leaf on newspaper on handcraft paper with acrylic cover, 184 x 225 x 9.5 cm (72 1/2 x 88 5/8 x 3 3/4 in)

rirkrit tiravanija untitled 2025, new york times: 07 september 2017, silver leaf on newspaper on handcraft paper with acrylic cover

184 x 225 x 9.5 cm (72 1/2 x 88 5/8 x 3 3/4 in)

 
abraham cruzvillegas autorretrato ciego escuchando a maria bethania cantando ‘a dona do raio e do vento’, después de visitar la casa de la ladera, diseñada por lina bo bardi en salvador bahía, comenzando a leer ‘fluxo e refluxo’ de pierre fatumbi verger, intentando imaginar el imaginario vegetal, mineral y animal quienes son descendientes de personas esclavizadas, y su presencia en lo cotidiano, en lo que comí hoy, por ejemplo: una exquisita moqueca de camarones, con su vasito de cachaza, 2024, blue acrylic paint on newspaper clippings, cardboard, drawings, postcards, envelopes, letters, drawings, posters, flyers, napkins and steel pins on wall, variable dimensions 

abraham cruzvillegas autorretrato ciego escuchando a maria bethania cantando ‘a dona do raio e do vento’, después de visitar la casa de la ladera, diseñada por lina bo bardi en salvador bahía, comenzando a leer ‘fluxo e refluxo’ de pierre fatumbi verger, intentando imaginar el imaginario vegetal, mineral y animal quienes son descendientes de personas esclavizadas, y su presencia en lo cotidiano, en lo que comí hoy, por ejemplo: una exquisita moqueca de camarones, con su vasito de cachaza, 2024, blue acrylic paint on newspaper clippings, cardboard, drawings, postcards, envelopes, letters, drawings, posters, flyers, napkins and steel pins on wall

variable dimensions 

petrit halilaj here to remind you (chrysolophus amherstiae, calyptorhynchus banksii), 2025, brass, feather, overall dimensions: 205 × 40 × 40 cm (80 3/4 × 15 3/4 × 15 3/4 inches)

petrit halilaj here to remind you (chrysolophus amherstiae, calyptorhynchus banksii), 2025, brass, feather

overall dimensions: 205 × 40 × 40 cm (80 3/4 × 15 3/4 × 15 3/4 inches)

 
felipe baeza insurgent intimacies, 2026, ink, acrylic, cut paper, varnish and watercolor on panel, 40.64 x 30.5 cm (16 x 12 in)

felipe baeza insurgent intimacies, 2026, ink, acrylic, cut paper, varnish and watercolor on panel

40.64 x 30.5 cm (16 x 12 in)

 
roberto gil de montes proyección, 2025, oil on linen, 60.2 x 110 x 2.5 cm (23 3/4 x 43 1/4 x 1 in.)

roberto gil de montes proyección, 2025, oil on linen

60.2 x 110 x 2.5 cm (23 3/4 x 43 1/4 x 1 in.)

 
minerva cuevas land and ocean, 2024, oil on canvas dipped in chapopote, 69.5 x 39.5 x 3 cm (27.36 x 15.55 x 1.18 in.)

minerva cuevas land and ocean, 2024, oil on canvas dipped in chapopote

69.5 x 39.5 x 3 cm (27.36 x 15.55 x 1.18 in.)