alexandra bachzetsis
1974, Zurich, Switzerland
A choreographer and visual artist, Alexandra Bachzetsis creates spaces –at the intersection of dance, performance, visual art, and theater– in which the body can manifest as an artistic and critical apparatus. Her work investigates the choreographies of the body and how culture provides source material for our gestures, expressions and, fantasies; through an interdisciplinary approach, she examines the influence of ‘popular’ or ‘commercial’ genres (online media, video-clips, and television) and the ‘arts’ (ballet, modern dance, and performance). The way we inhabit and perform our body, both in everyday life and on stage, –through stereotypes and archetypes, choice and cliché– is a question that continues to shape her practice. In her performances, Bachzetsis addresses stereotyped modes of representation of the female body in popular culture, show business, and the sex industry, using them to build a new self-reflexive and empowering formal language.
Bachzetsis is a graduate of the Liceo Artistico in Zurich (1995) and the Accademia Teatro Dimitri in Verscio (1997), in Switzerland; the Performance Education Program at STUK - House for Dance, Image & Sound Arts Centre in
Leuven, Belgium (1999); and DAS Graduate School at the Academy of Theatre and Dance of the Amsterdam University of the Arts (2006).
She has been the recipient of various awards, including the Performancepreis Schweiz (Swiss Performance Art Award) (2012), Swiss Art Award 2011, and the Migros-Kulturprozent Jubilee Award (2007). Since Bachzetsis started working independently in 2001, she has created over 24 pieces –often working collaboratively– which have been shown in venues worldwide.
Alexandra Bachzetsis lives and works in Switzerland.
escape act, 2019
escape act, 2019
escape act, 2019
escape act, 2019
an ideal for a living
images of the performance at centre culturel suisse
paris, 2018
an ideal for a living
images of the performance at centre culturel suisse
paris, 2018
an ideal for a living
images of the performance at centre culturel suisse
paris, 2018
private song, 2017
performance at documenta 14, athens
private song, 2017
performance at documenta 14, athens
private song, 2017
performance at documenta 14, athens
massacre: variations on a theme, 2017
images of the performance at moma, new york
massacre: variations on a theme, 2017
images of the performance at moma, new york
massacre: variations on a theme, 2017
images of the performance at moma, new york
massacre: variations on a theme, 2017
images of the performance at moma, new york
private: wear a mask when you talk to me, 2016
private: wear a mask when you talk to me, 2016
private: wear a mask when you talk to me, 2016
from A to B via C, 2014
performance view from mexico city, 2014
from A to B via C, 2014
performance view from mexico city, 2014
from A to B via C, 2014
performance view from mexico city, 2014
gold, 2004
performance at kurimanzutto, mexico city, 2014
gold, 2004
performance at kurimanzutto, mexico city, 2014
gold, 2004
performance at kurimanzutto, mexico city, 2014
the stages of staging, 2013
performance view from basel, switzerland
the stages of staging, 2013
performance view from basel, switzerland
the stages of staging, 2013
performance view from basel, switzerland
etude, 2012
performance view from basel, switzerland
etude, 2012
performance view from basel, switzerland
a piece danced alone, 2011
performance view from zurich, switzerland
a piece danced alone, 2011
performance view from zurich, switzerland
bluff, 2009
performance view from zurich, switzerland
bluff, 2009
performance view from zurich, switzerland
bluff, 2009
performance view from zurich, switzerland
dancing, 2009
with participation of students of rietveld academy
amsterdam, the netherlands
dancing, 2009
with participation of students of rietveld academy
amsterdam, the netherlands
dream season, 2008
performance view from zurich, switzerland
dream season, 2008
performance view from zurich, switzerland
dream season, 2008
performance view from zurich, switzerland
this side up, 2007
in collaboration with julia born
performance view from london, united kingdom
this side up, 2007
in collaboration with julia born
performance view from london, united kingdom
this side up, 2007
in collaboration with julia born
performance view from london, united kingdom
handwerk, 2005
performance view from amsterdam, the netherlands
handwerk, 2005
performance view from amsterdam, the netherlands
show dance, 2004
performance view from brussels, belgium
show dance, 2004
performance view from brussels, belgium
murder mysteries - same difference, 2004
in collaboration with danai anesiadou
brussels, belgium
murder mysteries - same difference, 2004
in collaboration with danai anesiadou
brussels, belgium
murder mysteries - same difference, 2004
in collaboration with danai anesiadou
brussels, belgium
perfect, 2001
performance view of antwerp, belgium
perfect, 2001
performance view from antwerp, belgium
perfect, 2001
performance view from antwerp, belgium
Some of her recent solo exhibitions and performances include: Chasing a Ghost, Dampfzentrale Bern, Switzerland; Gessnerallee Zürich; Kaserne Basel, Switzerland; Théâtre Vidy, Lausanne, Switzerland; Pact Zollverein; Essen, Germany; Tanzquartier Wien, Austria; Musée d' Art Moderne Grand-Duc Jean, Luxembourg (2020); Escape Act, Theaterhaus Gessnerallee, Zurich; Pioneer Works, New York (2019); Massacre: Variations on a Theme, Centre Georges Pompidou, Paris and MoMA- Museum of Modern Art, New York (2017); Private: Wear a mask when you talk to me, Centre culturel suisse, Paris and Dampfzentrale Bern, Switzerland (2017); Gold, Power Station of Art (PSA) Shanghai and Wing | Platform for Performance, Hong Kong, China (2016); From A to B via C, Onassis Cultural Centre-Athens and Serralves Foundation – Museum of Contemporary Art, Porto, Portugal (2015), Kulturzentrum Rote Fabrik, Zürich, Switzerland and Museo Jumex, Mexico City (2014); Alexandra Bachzetsis, Bonner Kunstverein und Artothek, Bonn, Germany (2014); The Stages of Staging, Stedelijk Museum Amsterdam (2013); L’Escorte, CAC Brétigny, Paris (2011); Play, Kunsthaus Glarus, Switzerland (2010); Show, Kunsthalle Basel, Switzerland (2008), and Show Dance, de Appel arts centre, Amsterdam (2006), among many others.
Alexandra Bachzetsis has also participated in the following festivals, biennials, and collective shows: documenta 14, Kassel, Germany (2017); Tanz im August Festival, Berlin (2017); Meteor - Performing Arts Festival, Bergen, Norway (2017); Festival FAB, Bordeaux, France (2016); Let’s Dance, Art Stations Foundation, Poznan, Poland (2015); Elevation 1049, Lumen Foundation, diverse locations, Switzerland (2014); Le Movement. 12th Swiss Sculpture Exhibition, Biel/Bienne, Switzerland (2014); art berlin Fair for Modern and Contemporary Art (2013); dOCUMENTA (13), Kassel, Germany (2012); 3rd Thessaloniki Biennále of Contemporary Art, Thessaloniki, Greece (2011); Something Raw. Internationale dans- en performancefestival, Amsterdam (2009); 5th Berlin Biennale (2008); If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution. Edition II, De Appel, Amsterdam (2007) and Emotion Pictures, M HKA- Museum of Contemporary Art Antwerp, Belgium (2005), among many others.
Read the full article on how performer Alexandra Bachzetsis proposes a new "framing" in order to deconstruct traditional and contemporary cultural codes at the Art Viewer.
This performance investigates fluidity and permanence via the body, identity, the moving image and performance, challenging definitions of physical, emotional and psychological relationships.
In her choreographies, performances, videos and sculptures, Alexandra Bachzetsis examines how contemporary media culture inscribes itself in the body. The core of her exhibition at Neuer Berliner Kunstverein (n.b.k.) consists of her latest body of works Escape Act (2018). Bachzetsis picks up stereotypical ideals of body and behavior spread by mass media and treats them by means of persiflage.
Pioneer Works presents for the first time in the United States the performance Escape Act by Alexandra Bachzetsis.
Alexandra Bachzetsis creates a poetic device that allows the viewer to "perceive" the technical and socially constructed dimensions of desire. The piece gathers seven living bodies and a multitude of objects that connect and disconnect to form different desiring machines.
In private there are Oriental drag queen dances, gym and western yoga exercises mutating into football and porn poses, stock moves from theatrical training for advertising and the repetition of Michael Jackson’s rituals by teenagers. There is Trisha Brown transitioning into Rembetiko, and a single voice fighting to survive national and gender identity social theaters.
