bárbara sánchez-kane, 2025
photo: eike walkenhorst
bárbara sánchez-kane
1987, Mérida, Mexico
Under the figure of the macho sentimental, Bárbara Sánchez-Kane resists the traditional notions of mexicanidad and its relationship with the feminine and masculine. Whether through fashion, performance, painting or installation, all of her works present the anxieties and fears of daily life to question pleasure and domination within a hegemonic masculine society.
Sánchez-Kane lives and works in Mexico City.
bárbara sánchez-kane
ff número 1, 2025
c-print, paper size
50.8 x 40.6 cm (20 x 15.9 in)
bárbara sánchez-kane
ff número 3, 2025
c-print, paper size
16 x 20 cm (6.2 x 7.8 in)
bárbara sánchez-kane
ff número 6, 2025
c-print, paper size
40.6 x 50.8 cm (15.9 x 20 in)
bárbara sánchez-kane
look 8, 2025
belts, buckles, bronze
175 x 100 x 64 cm (68.8 x 39.3 x 25.1 in)
bárbara sánchez-kane
look 3, 2023
belts, rivets, polyester and metal
210 x 140 x 50 cm (82.6 x 55.1 x 19.6 in)
bárbara sánchez-kane
look 2, 2023
belts, rivets, polyester, metal
203 x 216 x 44 cm (79.9 x 85 x 17.3 in)
bárbara sánchez-kane
prêt-à-patria, 2024
itinerant performance presented in foreigners everywhere at the arsenale for the 60th venice biennale
duration: 6 min 23 sec, edition of 3 plus 1 artist's proof
bárbara sánchez-kane
prêt-à-patria, 2024
itinerant performance presented in foreigners everywhere at the arsenale for the 60th venice biennale
duration: 6 min 23 sec, edition of 3 plus 1 artist's proof
bárbara sánchez-kane
prêt-à-patria, 2024
itinerant performance presented in foreigners everywhere at the arsenale for the 60th venice biennale
duration: 6 min 23 sec, edition of 3 plus 1 artist's proof
bárbara sánchez-kane
que se vaya la poesía si es necesario aquí solo queda un poema desecho, 2, 2023
bronze with green marbled patina
27 x 20 x 21 cm (10.6 x 7.8 x 8.2 in)
bárbara sánchez-kane
que se vaya la poesía si es necesario aquí solo queda un poema desecho, 3, 2023
bronze with green marbled patina
27 x 20 x 21 cm (10.6 x 7.8 x 8.2 in)
bárbara sánchez-kane
que se vaya la poesía si es necesario aquí solo queda un poema desecho, 4, 2023
bronze with green marbled patina
24 x 19 x 13 cm (9.4 x 7.4 x 5.1 in)
bárbara sánchez-kane
mártires, eremitas y penitentes, 2023
bronze with patina
15.5 x 31.5 x 9.5 cm (6.1 x 12.4 x 3.7 in)
bárbara sánchez-kane
botas machete, 2022
leather boots, carbon steel blade machete, steel blade, polyurethane foam, chrome coating
25 x 8 x 60 cm (9.8 x 3.1 x 23.6 in)
bárbara sánchez-kane
zapatos silla monoblock, 2022
vinyl leather fabric and bronze
28 x 8.5 x 13 cm (11 x 3.3 x 5.1 in)
installation views of bárbara sánchez-kane: coro de soles menores, cheruby, shanghai, 2025. courtesy of cheruby. photo: ling
installation views of bárbara sánchez-kane: coro de soles menores, cheruby, shanghai, 2025. courtesy of cheruby. photo: ling
installation views of bárbara sánchez-kane: coro de soles menores, cheruby, shanghai, 2025. courtesy of cheruby. photo: ling
documentation of bárbara sánchez-kane: aguas frescas, mudam luxembourg, 2025.
photo: eike walkenhorst
documentation of bárbara sánchez-kane: aguas frescas, mudam luxembourg, 2025.
photo: eike walkenhorst
documentation of bárbara sánchez-kane: aguas frescas, mudam luxembourg, 2025.
photo: eike walkenhorst
installation view of bárbara sánchez-kane: ¿cuántos ángeles caben en la punta de un alfiler?, collegium, arévalo, 2025. photo: roberto ruiz
installation view of bárbara sánchez-kane: ¿cuántos ángeles caben en la punta de un alfiler?, collegium, arévalo, 2025. photo: roberto ruiz
installation view of bárbara sánchez-kane: ¿cuántos ángeles caben en la punta de un alfiler?, collegium, arévalo, 2025. photo: roberto ruiz
documentation of bárbara sánchez-kane: young boy sánchez-kane, dover street market, paris, 2024. photo: oriane robaldo
documentation of bárbara sánchez-kane: young boy sánchez-kane, dover street market, paris, 2024. photo: oriane robaldo
documentation of bárbara sánchez-kane: young boy sánchez-kane, dover street market, paris, 2024. photo: mark blower
installation view of bárbara sánchez-kane in foreigners everywhere, 60th venice biennale, 2024. photo: nick ash
installation view of bárbara sánchez-kane in foreigners everywhere, 60th venice biennale, 2024. photo: nick ash
installation view of bárbara sánchez-kane in foreigners everywhere, 60th venice biennale, 2024. photo: nick ash
installation view of bárbara sánchez-kane: new lexicons for embodiment, kurimanzutto, new york, 2023. photo: dan bradica
installation view of bárbara sánchez-kane: new lexicons for embodiment, kurimanzutto, new york, 2023. photo: dan bradica
installation view of bárbara sánchez-kane: new lexicons for embodiment, kurimanzutto, new york, 2023. photo: dan bradica
Past solo exhibitions and performances include: Coro de Soles Menores, CHERUBY, Shanghai, China (2025); Fortuna Y Fetiche, Dashwood Projects, New York (two-person exhibition with Sofiá Alazraki) (2025); En la punta de un alfiler, Collegium, Arévalo, Ávila, Spain (2025); Young Boy Sánchez-Kane, organized by Dover Street Market, Paris, New York, and Los Angeles (2024); New Lexicons of Embodiment, kurimanzutto, New York (2023); Sánchezkaneismo, kurimanzutto, Mexico City (2022); Prêt-à-Patria, as part of Siembra, kurimanzutto, Mexico City (2021); Latino Couture, Museo Experimental el Eco, Mexico City (2020); Macho Sentimental vol. II, Palais de Tokyo, Paris (2019); Las Puertas al Sentimentalismo, Licenciado Gallery, Mexico City (2019); Macho Sentimental vol. I, Grand Tour Studio, Milan (2018); and Vast Graveyard of the Missing, Institute of Contemporary Art, Los Angeles (ICA Los Angeles) (2017); among others.
Past group exhibitions and biennials include: Aguas Frescas, Museo Anahuacalli, Mexico City; traveled to The Contemporary Art Museum of Luxembourg (2025); Stranieri Ovunque – Foreigners Everywhere, 60th Venice Biennale (2024); The Campus group show, Claverack, New York (2024); The Lady and the Unicorn: New Tapestry, Salon 94 Gallery, New York (2024); La Mano Negra, guadalajara90210, Guadalajara, Mexico (2023); Vida Social, Galería Agustina Ferreyra, San Juan, Puerto Rico (2023); Everything here is volcanic, Friedman Benda, New York (2023); Objects of Permanence, Abrons Arts Center, New York (2023); Diseño en femenino. México 1940–2022, Museo Franz Mayer, Mexico City (2022); TODOS JUNTOS (All Together), kurimanzutto, New York (2022); Do we dream under the same sky, Okayama Art Summit, Japan (2022); Calor Universal, Pace Gallery, East Hampton, New York (2022); Para Morelio, PEANA, Mexico City (2021); De por Vida, Company Gallery, New York (2021); en llamas, LLANO, Mexico City (2021); OTRXS MUNDXS, Museo Tamayo, Mexico City (2020); SEÑORA!, MEYER*KAINER, Vienna, Austria (2020); and Prince·sse·s des villes, Palais de Tokyo, Paris (2019); among others.
read the full interview of bárbara sánchez kane on sexto piso
read the full article of bárbara sánchez kane on vogue runway
read the full article of bárbara sánchez kane on tierra adentro
Read the full review on Bárbara Sánchez-Kane new collection at L'OFFICIEL México.
Read the full conversation of bárbara sánchez kane in conversation with josé esparza chong cuy on modern matter
