wilfredo prieto
1978, Sancti Spiritus, Cuba
Characterized by an almost shocking simplicity, Wilfredo Prieto's sculptures and installations function as tools for exploring social and political issues with a poetic sensibility. His work questions the underlying structures of contemporary culture and reflects on consumption, society, and thought systems themselves. Although Prieto initially trained as a painter, his work eschews classification within a specific medium. While some of his projects are very technically ambitious, the majority of his actions and gestures occupy extremely subtle territory, inviting a certain distancing from everyday experience. Appropriating from the world around him, the artist uses what is at hand to give form to radical, precarious and fragile gestures. His ideas, which function as open metaphors or narratives, are translated into the language of familiar objects and materials. Standing against contemporary society's oversaturated, frantic rhythms, Prieto proposes communicating with the essentials: even when it risks going unnoticed, the simplest thing can often be the most compelling.
Wilfredo Prieto studied at the Escuela Profesional de Artes Plásticas in Trinidad, Cuba, from 1992 to 1996; afterwards he attended the Instituto Superior de Arte in Havana from 1998 to 2002. During this period he was a member of the artist collective Galería DUPP (Desde Una Pragmática Pedagógica), with whom he received the UNESCO Prize for the promotion for the Arts in 2000. He has participated in residencies at Headlands, San Francisco, United States (2015); Gasworks, London, United Kingdom (2008); Le Grand Café, St. Nazaire, France (2007); John Simon Guggenheim Foundation, New York, United States (2006) and the Kadist Art Foundation, Paris, France (2005).
Wilfredo Prieto currently lives and works in Havana, Cuba.
walk, 2000
ornamental plant, ground and wheelbarrow
performance documentation
scale of values, 2001
rum, wine, beer, soft drink, water, plastic glasses
4.33 in. high x 2.76 in. diameter
apolitical, 2001
flags, poles
variable dimensions
matryoshka, 2001
cement tank, iron tank, earthenware jar, plastic dish, aluminium dish, porcelain jar, crystal glass, water
47.24 in. high, 39.37 in. diameter
untitled (globe of the world), 2002
ink on chickpea
0.02 in.
yes/no, 2002
ventilators
66.93 in.
much ado about nothing, 2003
electric generator, water pipe, hose, cables, lamp, plant
variable dimensions
much ado about nothing, 2003
electric generator, water pipe, hose, cables, lamp, plant
variable dimensions
much ado about nothing, 2003
electric generator, water pipe, hose, cables, lamp, plant
variable dimensions
avalancha, 2003
straight line made with spheres assembled from smallest to largest
1,653.54 in.
installation view of balancing the curve, hangar bicocca, milan, 2012
untitled (crane), 2006
crane trying to lift itself
2,362.2 in.
installation view at madrid abierto 06, 2006
grease, soap, and banana, 2006
grease, soap, banana peel
9.84 in. diameter
smart gum, 2008
chewing gum
variable dimensions
politically correct, 2009
watermelon
variable dimensions
holy water, 2009
puddle of holy water
variable dimensions
installation view at IV bienal de jafre, spain, 2009
tied up to the table leg, 2011
table, rope, helicopter
variable dimensions
installation view of tied up to the table leg, ca2m centro de arte dos de mayo, madrid, 2011
sad circus, 2012
circus
dimensions variable
installation view at XI bienal de la habana, 2012
an illuminated rock, an unilluminated rock, 2012
stones, light
variable dimensions
two shoes and two socks, 2012
shoes, socks
variable dimensions
two stones and a mirror, 2012
stone, mirror
variable dimensions
the more you add, the less you see, 2011
cling film
66.92 in.
Solo exhibitions include: El cosmos y la realidad, NoguerasBlanchard, Madrid (2023); Fake News, as part of Siembra, kurimanzutto, Mexico City (2021); Chiudere un occhio, Fondazione Morra Greco, Naples, Italy (2019); Dans la rue Saint-Gilles, Brownstone Foundation, Paris (2018); Wilfredo Prieto - En la mente De Dios (In the mind of God), NoguerasBlanchard, Barcelona (2017); Error de sistema, Museo de Arte Contemporáneo del Zulia, Maracaibo, Venezuela (2015); Ping-pong cuadrícula, Museo Nacional de Bellas Artes, Havana (2015); Speaking Badly about Stones, S.M.A.K, Ghent, Belgium (2014); Dejándole algo a la suerte, Sala de Arte Público Siqueiros, Mexico City (2012); Balancing the curve, Pirelli HangarBiccoca, Milan (2012); Amarrado a la pata de la mesa, CA2M, Madrid (2011); Izquierda/Derecha, Museo de Arte Contemporáneo de Vigo (Marco), Vigo, Spain (2011); A moment of silence. Artists Web Projects, Dia Art Foundation, New York (2007); Mute, McMaster Museum of Art, Hamilton, OH (2006); Dead angle, Kadist Art Foundation, Paris (2006); Mucho ruido y pocas nueces II, MUSAC, León, Spain (2005).
Select group exhibitions include: From Ukraine: Dare to Dream, organized by PinchukArtCentre, Kyiv, Ukraine, Palazzo Contarini Polignac, Venice, Italy (2024);TODOS JUNTOS (All Together), kurimanzutto, New York (2022); Landlord Colors: On art, Economy, and Materiality, Cranbrook Art Museum, MI (2019); Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950, Walker Art Center, Minneapolis, MN (2017); Under the Same Sun: Art from Latin America Today, South London Gallery (2016); Another Part of the New World, Moscow Museum of Modern Art (2015); Aujourd’hui, Centre Pompidou, Paris (2014); Open spaces l secret places, MdM Museum der Moderne Salzburg Mönchsberg, Vienna (2013); When Attitudes Became Form Become Attitudes, CCA Wattis Institute for Contemporary Art, San Francisco, CA (2012); Primer acto: Inauguración, Museo Tamayo, Mexico City (2012); barely there, Museum of Contemporary Art Detroit (MOCAD), MI (2011); Future Generation Art Prize, Pinchuk Art Center, Kiev, Ukraine (2010); Hypocrisy: The Sitespecificity of Morality, Nasjonalmuseet, Oslo, Norway (2009); That Was Then… This is Now, PS1 MoMA, New York (2008); The Hours, Visual Arts from Contemporary Latin America, Irish Museum of Modern Art, Dublin (2005); among others.
Furthermore, the artist has participated in biennials such as the 12th Istanbul Biennial, Turkey (2011); 60th, 57th, 54th and 52nd Biennale di Venezia, Italy (2024, 2017, 2011 and 2007); XIth Bienal Internacional de Cuenca, Ecuador (2011); 11th Lyon Biennial, France (2011); 29th Sao Paulo Biennale (2010); XIII, XII, XI, X, VIII and VII Habana Biennials, Cuba (2019, 2015, 2012, 2009, 2003 and 2000); 1st Singapore Biennial, Singapore (2006).
Wilfredo Prieto and Patrick Charpenel will talk on Facebook Live about "Fake News" published by Zolo Press on Thursday, April 29 at 5 pm on kurimanzutto's facebook and youtube channels.
Siembra's flexible and porous ecosystem expands during ZⓈONAMACO 2021 to welcome a multiplicity of voices from the community.
We are thrilled to be a part of this new gallery-led initiative - an online community of 50+ galleries dedicated to art from the Global South and its diaspora.
kurimanzutto is proud to participate in Art Basel OVR: Miami Beach 2020 featuring a selection of works by: Gabriel Orozco, Nairy Baghramian, Haegue Yang, Jimmie Durham, Damián Ortega, Abraham Cruzvillegas, Carlos Amorales, Roberto Gil de Montes, Wilfredo Prieto, Miguel Calderón.
Fake News was the first online exhibition in Galeria Habana preseted in real time through the social media accounts of Galeria Habana and Wilfredo Prieto.
Listen to the playlist Guarapacheando by Wilfredo Prieto on Spotify.
Wifredo Prietowill present an exhibition of all new work, produced during his residency period in Naples, taking over the entire building of Palazzo Caracciolo di Avellino: Fondazione Morra Greco becomes Fondazione Morra Prieto.
